Time to vent! And apparently celebrate because #NetworkWarCulture is alive and well in the Philippines! Wowowowin!
Last week, I ranted about Philippine entertainment’s seeming regression back towards a duopoly instead of an expansion of potential options. I talked about how the present trajectory of Philippine entertainment, particularly television, was contrary to what the “ideal” scenario would be. But what exactly does an “ideal” scenario entail?
I’m of the opinion that when it comes to television, the Philippines deserves more options. Not less. For almost two decades, the country’s entertainment and news options have been dominated by what has essentially been a duopoly between ABS-CBN and GMA Network. ABC-turned-TV5 has been a distant 3rd, despite multiple stop and start efforts to bolster their position in the industry.
TV5 and Cignal held a virtual mediacon Thursday on the eve of the arrival of new programming amid the network’s renewed focus on entertainment.
Amo a Modern, Gritty Take on Familiar Filipino Themes" title="Good Ol’ Review: Netflix/TV5’s Amo a Modern, Gritty Take on Familiar Filipino Themes" decoding="async" loading="lazy" data-lazy-src="https://dryedmangoez.com/images/dryedmangoez/amo3.jpg?is-pending-load=1" srcset="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" /> The Netflix-acquired, TV5-produced drama series Amo by internationally recognized director Brillante Mendoza is both notable and controversial for a number of reasons. It is notable for being one of the first two Filipino productions acquired by Netflix and the first Filipino TV series to be released exclusively on the international platform.
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